top of page

Black on Broadway - A review of Louis Armstrong’s “A Wonderful World”

Last weekend, I had the privilege of experiencing A Wonderful World on Broadway, and let me tell you—it was an unforgettable journey through the life of Louis Armstrong, a man whose story is as much about music as it is about resilience, activism, and Black excellence.


Setting the Stage: A Journey Through Five Decades

From the vibrant streets of 1920s New Orleans at the height of the Jazz Renaissance to his rise as one of the most influential musicians of all time, A Wonderful World takes us on an extraordinary journey through Louis Armstrong’s life and career, which spanned five decades.

Louis Armstrong wasn’t just a jazz musician. He was a master trumpeter who popularized scat singing and became one of the first major crossover artists. His talent broke barriers, allowing him to star in movies, win two Grammys, and be invited to perform for multiple presidents. However, his early activism nearly cost him his career after he publicly rejected an invitation by President Nixon to perform at the White House, using a widely publicized expletive to suggest that it was just a show to appease the African-American community. Armstrong was “canceled” before cancel-culture was even a term. Thankfully, he didn’t stay down for long. His unwavering commitment to justice and art saw him rise again with his iconic recording of Hello, Dolly!, which won him a Grammy.


This show doesn’t just tell his story—it immerses you in it. With an electrifying live orchestra, swinging dance numbers, and a powerhouse cast, the production pulls you into Armstrong’s world and doesn’t let go until the final note.


The Cast: A Masterpiece of Talent

James Monroe Iglehart as Louis Armstrong is nothing short of spectacular. From Armstrong’s raspy voice to his infectious charisma, Iglehart fully embodies the jazz legend. Every note, every movement, and every emotional moment felt authentic. The sheer stamina required to carry such a demanding role, especially with the iconic voice of Armstrong, is impressive. Iglehart is not new to Broadway—his performance as the Genie in Aladdin was widely celebrated—but in an interview following the show, he said of all his roles, this one is deeply personal and transformative. 


The women in Armstrong’s life are equally mesmerizing. His four wives—Lucille Wilson (Darlesia Cearcy), Alpha Smith (Kim Exum), Daisy Parker (Dionne Figgins), and Lil Hardin (Jennie Harney-Fleming)—are not just supporting characters; they are the backbone of his story. Each actress brought something unique to the stage, whether it was raw vulnerability, unshakable strength, or fiery passion. Their impeccable vocal range and flawless dance routines left me in awe.


As a feminist and a Black woman, I was deeply moved by how this production celebrated the contributions of these incredible women. For too long, Black women have been sidelined in stories about Black men’s success. This show makes it clear: behind Louis Armstrong’s brilliance were these powerful women who supported, challenged, and carried him.


The Music: The Heart of the Show

Let’s talk about the music. Jazz is the foundation of nearly every major music genre in America—rock, blues, R&B, and even hip-hop. And this production makes sure you feel its power. The live orchestra was unbelievable, weaving Armstrong’s classics into every scene with such precision and soul that it felt like they were characters in the story.


My only wish? That the real trumpet players in the orchestra, who carried the show behind the scenes, had a moment to come on stage during the finale. A jam session to close the show would have been the perfect way to celebrate their extraordinary talent and the essence of jazz itself.


A Moment of Reflection

In true “Broadway Cares” fashion, at the end of the production, the cast took a moment to address the audience and invited us to join them in a moment of silence for the 15 lives lost and dozens injured in the recent New Year’s Eve terror attack in New Orleans. It was a somber and powerful reminder of the resilience of the city that gave birth to jazz—and the importance of coming together as a community in times of tragedy.


Why This Play Matters

This production is more than a show; it’s a history lesson, a celebration, and a call to action. At a time when there’s a movement to erase our history, A Wonderful World stands as a reminder of who we are and the legacy we carry. Louis Armstrong’s story is not just his—it’s ours. It’s a story of struggle and triumph, of finding your voice and standing firm in your truth.

This play is a must-see for everyone, but especially for Black people, little Black and brown children, and young girls and boys who dream of starring on the world stage one day. Our stories matter. Our history matters. And it’s up to us to preserve and share them.


So, if you haven’t seen A Wonderful World, do yourself a favor and go. Support Black theater. Celebrate our culture. And remember, as Armstrong himself showed us, there’s always a way to rise again.


For more on my unforgettable experience and behind-the-scenes interviews with the cast, check out my conversation with James Monroe Iglehart and other cast members here.


Until next time, keep celebrating our culture through our lens!



Comments


bottom of page